a clock but the hands are dicks and just flop about

The Fediverse is really-really great Show more

So there's a very bad ass heavy metal cover to Diggy Diggy Hole... you're welcome.
youtube.com/watch?v=34CZjsEI1y

TFW you realize that Howard the Duck appears in . Not even joking.

Is dying during sex the best or worst way to go? Discuss.

I'm probably the last person on Earth to catch on, but I've just realized the irony in E. Macron's party being called "La Republique En Marche", with him presiding over the longest period of uninterrupted protests in France in a long time.

Last Monday, the EU failed us all.

It disregarded a record-breaking petition, thousands of protesters and Internet experts; it ignored the advice of the UN high commissioner on human rights, as well as that of the fucking inventor of the World Wide Web. It would have probably still brashly gone ahead if Jesus himself had floated down from the Heavens and said that this was a bad idea. And it passed into law its infamous Copyright Directive for the Digital Single Market, upload filters and link taxes and all.

I have been following the unfolding dumbassery for over a year, since only the faintest whispers on Y Combinator were echoing the words “Article 13”. Though there is little one can be sure of regarding the future of this vaguely written piece of shit legislation, my extensive reading leads me to believe that the following is most likely to happen moving forward:

Over the next two years, EU states will transcribe the directive into national law. They have some leeway, so some will do so with a silk touch, and some will blunder into setting rules even more over the top than the directive mandates.

Yes, France, you can sit down. I do mean you.

As all but the tiniest and youngest of websites will be impacted, pretty much every platform with user-generated content that you know, from Google to Instagram and from Medium to Newgrounds, is already taking steps to make sure it’ll be compliant when the day comes.

On that day, at the flick of a switch, the upload filters will turn on. Suddenly, the Internet that we know today will adopt a “guilty until proven innocent” mentality. The automated content filters will suck at their job, so some of the perfectly legal things you attempt to share online will never see the light of day, because they’ll trigger alarm bells in the copyright monitoring system before they’re even published.

Incentives will have been realigned for the platforms. As they will now be responsible for what their users publish, they will have much less of a reason to stand up for freedom of speech. On the contrary, they will choose to overfilter. This is sensible on the corporations’ part. Rather than risk expensive lawsuits, it is more profitable to simply cast a net so wide that it also captures lots of innocents, as long as all the actually infringing material is suppressed. The age of careless copyright-motivated automatic censorship will have begun.

A separate effect will be that the internet platforms will pay licences to big media companies, so they can legally show thumbnails, titles and descriptions of their content when it is shared. All the myriad small companies, websites and blogs will get fucked over as a result, since the platforms won’t risk lawsuits by showing their materials as well. The big platforms won’t pay licences to all the small website owners either, simply because they are too many. It is too much effort for too little reward. The loss in diversity, creativity and little-guy brilliance will impact us all.

Many of the effects will spill over outside of the EU. There are two reasons: first, the Internet is transnational. Second, there is a little nifty thing called the “Brussels effect”. It refers to the fact that, usually, the EU has the strictest laws in the world regarding product quality standards. Because any international company that wishes to do business in the EU has to comply, corporations usually end up adopting EU standards for all their products, everywhere in the world. It is simply cheaper to have a single production pipeline that’s up to scratch regarding the strictest laws in the world, rather than having two separate production pipelines labeled “EU” and “everywhere else”. As a result, it’s likely that many countries outside of the EU will end up with upload filters and link taxes as well.

And so the copyright censorship filtering machine will have been set into place.

In the 2020s, the Copyright Directive and its constellation of national laws will likely be challenged in court on multiple fronts. The lawsuits will eventually make their way up to the European Court of Justice. Given that it is on shaky ground when it comes to both human rights and conflicting older EU laws, it is likely that the directive will be finally shot down.

Overnight, the reason for the upload filters will disappear. However, they will not. Because they will have already invested heavy money in them, and in order to appease the media giants they have to do business with, the internet platforms will leave the censorship machine in place.

The law will be gone, yet its effects will linger well into the 2030s and possibly beyond.

That is a likely story of the future, if we collectively roll over and accept an Internet that’s so controlled that it resembles cable television.

Certainly, we have sailed over the edge. The legal means to significantly oppose this fiasco are exhausted. It’s over.

Fortunately, legal process is not the only weapon we have. It is easy to forget sometimes, but the Internet isn’t made of people, nor companies, nor even wires. It is made of software. The laws that govern it, as inevitable as thermodynamics, are the code that underpins it. If we can no longer fight Article 13 legally, perhaps it is time to code.

In the last decade, several technologies have been quietly gaining steam. Some of them have become well known, like torrents or the blockchain. Others, like the Interplanetary File System, the IndieWeb, the dat:// protocol or the Fediverse, have so far flown under most people’s radars. All of these technologies point toward the same tech geek wet dream: the fully decentralized Web. In short, the d(ecentralized)Web means that all information is somehow spread out amongst everyone in a network. Moreover, everyone contributes a little bit of computing power to the network. There are no middlemen or gatekeepers, but just a roiling swarm of users. dWebsites are everywhere and nowhere. The network is neutral, agnostic and uncensorable.

That’s the ideal, anyway. I have previously written at length about the mad potential of the dWeb/Web 3.0/[insert preferred buzzword] here.

Right now, though, I’d like to talk about something different:

I think that the rationale for adopting the decentralized Web has changed. Because of this EU copyright bill, the world is suddenly a very different place, and the dWeb may be exactly the idea whose time has come. In the next few years, the Web is going to become less vibrant, less diverse and altogether more controlled. People are going to notice. What if, alongside the centralized internet platforms that embody this control (Google, Facebook, Twitter, YouTube etc.), an increasingly enticing alternative rises? An alternative driven by all the enthusiasm, freedom and technological magnitude of the early Web. What’s more, an alternative immune to the effects of the Copyright Directive, for it would not be driven by the centralized platforms that this law has domain over, but by open protocols. (Effectively, fleshing out the decentralized Web would mean building around this regulation, avoiding its grasp. dWeb platforms would not really have an owner and would not fulfill the definition of a “platform” considered by the Directive.)

The dilemma of the dWeb has long been the adoption paradox: no one will use it until a lot of people use it. Just now, the European Union may have unwittingly handed us a very compelling reason for people to adopt it en masse. If, as developers, as coders and geeks, we rise to the challenge and build the dWeb into something worth using, then I believe now may be the best time we could hope for. Ironically, Article 13 may be the spark that ignites an Internet renaissance.

Opportunity knocks. We mustn’t keep it waiting.

https://www.chapsterhood.com/2019/04/19/an-internet-miracle/

Last week in : robocopyright, the world's oldest boardgame, AI-enhanced art and the Internet's greatest collective artwork.
ferridgenet.chapsterhood.com

This week in : digital artists, underwater cables, a spontaneous music duo and open-source bacteria. :)
ferridgenet.chapsterhood.com/

TIL I learnt that, according to Tumblr, you can be omnigay, which is one step up from mere mundane gayness because you're genderfluid at the same time, BUT are attracted to the gender you currently think you are. Welp, if it's on the Internet...!

Yesterday I launched an experiment called donateanidea.com . One of the first random ideas that's been submitted is "tomatoes that grow out of your friend Tom's toes" and I've been laughing for 5 minutes straight.

Reform or censorship? - The definitive guide to the EU's Copyright Directive final vote
wikitribune.com/article/94797/

I see a lot of good Internet floating around. Since social media encourages negativity and shallowness, I’ve stopped using it to recommend great things I find on the Web. They get buried.

Now, FerridgeNet is where I curate the best and most interesting things I find on the Internet. If you trust my good taste in articles, videos, experimental web pages and other wonderful bits of the WWW, come back every now and then and see what else I’ve unearthed. Given how long I spend surfing the Web, there are usually many new additions every week.

You can get to the FerridgeNet by clicking HERE, or from the ‘Projects’ section of this website.

#curation #internet #site

https://www.chapsterhood.com/2019/03/10/announcing-ferridgenet/

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